In the project Forkonomy(), we are interested in rethinking the politics of our contemporary economic and technical-cultural systems. By employing free and open source software and decentralised protocols, we set the participatory project as a commoning ship for people of the pacific who want to queer and care the matters of hierarchies, ownership, gendered labour division, as well as to fight against the constant threats of maintaining a high degree of autonomy regarding the land and the sea. Forknomy() shall sail the economy and autonomy into a queer ocean of freedom and the sea of commonwealth.

Winnie Soon is a Hong Kong-born artist coder and researcher interested in the cultural implications of digital infrastructure that addresses wider power asymmetries, engaging with themes such as Free and Open Source Culture, Coding Otherwise, artistic/technical manuals, digital censorship and minor technology. With works appearing in museums, galleries, festivals, distributed networks, papers and alternative written forms, including co-authored books titled Boundary Images (2023), Fix My Code (2021), and Aesthetic Programming (2020). Winnie is the co-editor of the Software Studies Book Series (MIT Press), Co-PI of the research project Digital Activism and co-research lead, British Digital Art, British Art Network. Artistically, Winnie received the Golden Nica at Ars Electronica (Artificial Intelligence and Life Art Category), the Expanded Media Award for Network Culture at Stuttgarter Filmwinter — Festival for Expanded Media, WRO 2019 Media Art Biennale Award, and the 26th and 17th ifva awards (Special Mention and Silver award). Currently, they are Associate Professor of Art and Technology at UCL Slade School of Fine Art and visiting researcher at the Centre of the Study of the Networked Image (CSNI), London South Bank University.